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Word Association, Word association
| evade20 |
Jun 22 2006, 09:47 PM
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Melon Master
      
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"The single most important component of a camera is the twelve inches behind it." Ansel Adams The state has no business in the bedrooms of the nation. Pierre Elliott Trudeau
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| UncleBuck |
Jun 23 2006, 09:43 AM
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QUOTE(foxy lady @ Jun 23 2006, 12:22 AM) Joint  Twist one off!
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*100% of the shots you don't take don't go in. Wayne Gretzky.
*Man with hand in pocket feel cocky all day.
*Egos are like dicks. All men have one, but mine's bigger.
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| UncleBuck |
Jun 23 2006, 01:48 PM
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QUOTE(evade20 @ Jun 23 2006, 12:14 PM) roll another one!  ya see, you can put yer weed in here can't remember what movie that was where the one guy always said that doobie
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*100% of the shots you don't take don't go in. Wayne Gretzky.
*Man with hand in pocket feel cocky all day.
*Egos are like dicks. All men have one, but mine's bigger.
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| UncleBuck |
Jun 23 2006, 04:39 PM
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QUOTE(evade20 @ Jun 23 2006, 02:57 PM) Munchies Come'on evade what movie am I trying to think of ....~ you put your weed in here~ Its driving me nuts I cant get it out of my head now
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*100% of the shots you don't take don't go in. Wayne Gretzky.
*Man with hand in pocket feel cocky all day.
*Egos are like dicks. All men have one, but mine's bigger.
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| evade20 |
Jun 23 2006, 07:21 PM
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Melon Master
      
Group: Members
Posts: 21,880
Joined: 21-November 05
From: New York
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"The single most important component of a camera is the twelve inches behind it." Ansel Adams The state has no business in the bedrooms of the nation. Pierre Elliott Trudeau
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| UncleBuck |
Jun 27 2006, 06:14 PM
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QUOTE(evade20 @ Jun 27 2006, 05:28 PM) "What's the point of a revolution with out general, general copulation, copulation, copulation.."* *from : Marat de Sade (1967) a.k.a.: "Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade"
new word: copulation.  Set in a mental hospital, Marat/Sade is a 'play within a play'. The main story is set in 1808 after the French Revolution, but the play directed by Sade within the story takes place during the revolution, around 1793. The actors are the inmates of the asylum, and the nurses and supervisers occasionally step in to restore order. The bourgeois director of the hospital, Coulmier, also supervises the performance. He is a supporter of the post-revolutionary government in place at the time of the production, and believes the play he has organised to be an endorsement of his patriotic views. His patients, however, have other ideas, and they make a habit of speaking lines he had attempted to suppress, or deviating entirely into personal opinion. Suffice to say that they, as people who came out of the revolution no better than they went in, are not entirely pleased with the course of events as they fell. The infamous Marquis de Sade, the man after whom sadism is named, did indeed direct performances in Charenton while an inmate there, encouraged by Coulmier. De Sade is a main character in the play, conducting many dialogues with Marat and observing the proceedings with sardonic amusement. He remains detached and cares little for practical politics and the inmates' talk of right and justice; he simply stands by as an observer and an advocate of his own nihilistic and individualist beliefs. One of the most powerful scenes of the play depicts him being whipped on his own instructions, and such bold scenes are not alone, nor confined to the predilections of the Marquis himself. Marat/Sade is a thought-provoking work, discussing true and eternally relevant issues connected with the French Revolution - the plight of the poor, the futility of uprising, the intellectual justification of violence and, above all, the inherent weakness and fragility of the human individual. Technically, Marat/Sade is a musical. Richard Peaslee composed music for several songs for the original production. Some of the songs were also recorded as a medley by Judy Collins on her album In My Life (which is not the same as the Beatles songs cover versions album In My Life). The 1967 film version stars Ian Richardson as Marat and Patrick Magee as Sade, and also features Glenda Jackson in one of her earliest significant film roles. Retrieved from "http://en.wikipedia.org/wiki/Marat/Sade"  copulation= just good ole fucking
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*100% of the shots you don't take don't go in. Wayne Gretzky.
*Man with hand in pocket feel cocky all day.
*Egos are like dicks. All men have one, but mine's bigger.
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| evade20 |
Jun 27 2006, 06:50 PM
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Melon Master
      
Group: Members
Posts: 21,880
Joined: 21-November 05
From: New York
Member No.: 11,658

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QUOTE(UncleBuck @ Jun 27 2006, 06:14 PM) Set in a mental hospital, Marat/Sade is a 'play within a play'. The main story is set in 1808 after the French Revolution, but the play directed by Sade within the story takes place during the revolution, around 1793. The actors are the inmates of the asylum, and the nurses and supervisers occasionally step in to restore order. The bourgeois director of the hospital, Coulmier, also supervises the performance. He is a supporter of the post-revolutionary government in place at the time of the production, and believes the play he has organised to be an endorsement of his patriotic views. His patients, however, have other ideas, and they make a habit of speaking lines he had attempted to suppress, or deviating entirely into personal opinion. Suffice to say that they, as people who came out of the revolution no better than they went in, are not entirely pleased with the course of events as they fell. The infamous Marquis de Sade, the man after whom sadism is named, did indeed direct performances in Charenton while an inmate there, encouraged by Coulmier. De Sade is a main character in the play, conducting many dialogues with Marat and observing the proceedings with sardonic amusement. He remains detached and cares little for practical politics and the inmates' talk of right and justice; he simply stands by as an observer and an advocate of his own nihilistic and individualist beliefs. One of the most powerful scenes of the play depicts him being whipped on his own instructions, and such bold scenes are not alone, nor confined to the predilections of the Marquis himself. Marat/Sade is a thought-provoking work, discussing true and eternally relevant issues connected with the French Revolution - the plight of the poor, the futility of uprising, the intellectual justification of violence and, above all, the inherent weakness and fragility of the human individual. Technically, Marat/Sade is a musical. Richard Peaslee composed music for several songs for the original production. Some of the songs were also recorded as a medley by Judy Collins on her album In My Life (which is not the same as the Beatles songs cover versions album In My Life). The 1967 film version stars Ian Richardson as Marat and Patrick Magee as Sade, and also features Glenda Jackson in one of her earliest significant film roles. Retrieved from "http://en.wikipedia.org/wiki/Marat/Sade"  copulation= just good ole fuckingI've seen both the movie and a reenactment by a local theatre group at the university that I attend....a long, long, time ago. I think I was stoned for the movie. Sadism
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"The single most important component of a camera is the twelve inches behind it." Ansel Adams The state has no business in the bedrooms of the nation. Pierre Elliott Trudeau
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| UncleBuck |
Jun 28 2006, 10:50 AM
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QUOTE(evade20 @ Jun 28 2006, 10:28 AM) Bondage [attachmentid=23502] ouch!
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*100% of the shots you don't take don't go in. Wayne Gretzky.
*Man with hand in pocket feel cocky all day.
*Egos are like dicks. All men have one, but mine's bigger.
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| ndboxer |
Jun 28 2006, 12:55 PM
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From: Bismarck, North Dakota
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